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Closing Remarks

I think it's only right to end this blog with something that wasn't assigned but that I just felt like writing. Today marks exactly 2 weeks before my last day of high school. I never thought I'd make it this far. Actually, I always knew I'd make it this far, I just didn't know what I would do after. This year has been one of many obstacles and challenges—"character development" as I like to call it. But as it comes to an end, I find that the greatest lesson I learned was to depend on myself. To be happy within myself and to find solace in the fact that I exist for a purpose, no matter whether I know what that purpose is or not, but for the fact that my existence means something. I was never the biggest fan of Athens. I guess you could say I even hated it for a long time. But it's hard to leave the place that I made home over the past four years, and it's even harder to leave the people here behind. As I look forward, I hope to find myself happier,

Grosse Pointe and Feminism

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Waiting for my actual book on hold at the Troy Public Library for about 2 weeks, I actually ended up reading a completely different book than what I had first chosen. I was supposed to read “The Man in the High Castle,” a dystopian book about a post-WW2 society where the Nazis won. What I ended up picking from the class library was very different but surprisingly quite similar to a dystopian war novel. I chose to read Middlesex by Jeffrey Eugenides, which covers the journey of an intersex individual who grows up in Detroit as the child of Greek immigrants. An unintentional but very interesting choice, I’ve learned a lot from this book about intersex individuals who are widely underrepresented in society as a whole. Applying a psychoanalytic lens to Middlesex, the choices of the main character, Calliope, show a confused yet somehow self-aware individual who is naive and looking to experience new things in order to understand themselves better. Callie feels the primal desire to kiss Clem

We Real Cool

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https://poets.org/poem/we-real-cool March Madness is one of the largest athletic events in the world. A single elimination basketball tournament with over 68 college teams, the competition is tough, and predicting outcomes is even tougher. Everyone loves seeing the underdog win, which is why I immediately picked Gwendolyn Brooks when my English teacher announced that our class would be creating our own Poetry March Madness competition. Often regarded as one of the most influential poets of the 20th-century, Gwendolyn Brooks’ impact on American culture is prevalent even today, nearly 20 years after her death. A revolutionary individual from day one, Brooks was born in 1917 at the tail end of the first World War. She published her first poem at the age of 13, and began frequently publishing poems in the Chicago Defender by the time she was 17. Watching the events of the Civil Rights Movement unfold, Brooks stayed true to her racial identity, amplifying the strength of black culture and e

Michael Scott and Stanley

https://www.youtube.com/watch?v=IS2Ozgx-ih8 The prevalence of slapstick comedy in content spread across social media and other platforms is quite a dramatic shift from the more thoughtful laughter that ripened over prior generations. Comedy has evolved into more one-liners and funny events rather than the well-developed and subtle jokes of the past, possibly because of the cultural shift towards bluntness and openness.  I find an extremely apparent and powerful example of thoughtful laughter is the Office in the interactions between the characters Michael Scott, played by Steve Carell, and Stanley Hudson, played by Leslie David Baker. Throughout the show, Michael Scott, the regional manager of Dunder Mifflin, attempts to be inclusive and aware of his biases when interacting with the only black employee, Stanley. However, he often fails to do this professionally and makes several racially unaware comments and sometimes almost derogatory statements that Stanley gets triggered by. Even th

Modern Literature

I have always received a shocked reaction whenever I tell people I was born in and lived in India for 8 years before moving to the United States. “You don’t sound Indian,” or “your English is really good,” are common replies, and, every single time, I have to explain my family and my upbringing to alleviate the curious person’s confusion. What I often fail to mention is how I developed my English skills at such a young age in a country of primarily non-English speakers. From the ages of 3-12, I read quite literally every single book I could get my hands on. These books helped me grasp English at a young age; a skill that has helped me in every facet of my life. I find language to be the most impactful factor toward success. To be an effective leader, you must communicate using clear and concise language. To be an effective collaborator, you must learn to use empathetic but firm language. And to be an effective learner, you must be able to articulate your thoughts into questions that ca

Hamlet

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I was looking for music to relate to Hamlet, but no matter where I searched I could not find one specific song or album that could be marked as even remotely close enough. Despite my initial doubts about Shakespeare, I guess this explains why he is so respected even hundreds of years after his death: his characters are timeless. Hamlet has so many real human issues and thoughts and feelings that it is impossible to compare him to just one piece of work. The complexity of his character means that he possesses several different facets, all unique in description and impact that come together to create the whole figure of Hamlet. Hamlet’s relationship with Ophelia is often turbulent and sometimes nonexistent, but there always seems to be this underlying sense that Hamlet does really care for her even if he isn’t the best at showing it. This misunderstanding of love is awfully similar to “I THINK” and “GONE, GONE / THANK YOU” from the album IGOR by Tyler, The Creator. The album describes th

Feeling the Pressure

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A recurring theme arises throughout the novel Purple Hibiscus, by Chimamanda Ngozi Adichie, where a young girl in Nigeria named Kambili faces unachievable expectations and physical abuse from her father when she fails to reach them. Life is difficult for Kambili: she fails to connect with “normal” people for fear that they will not understand her, and she is reclusive and keeps to herself even when she wants to share. A modern take on the life of African children, I instantly related this novel to the song Pressure by Thutmose . Growing up in Lagos, Thutmose understands the life of an African child and the struggles of moving countries and cultures. He left Nigeria when he was 9 because of an explosion of a military armory, and Pressure details the struggles of being mistreated in Africa and the panic that ensues as military involvement gets more widespread and corrupt. The vivid imagery in Thutmose’s storytelling helps paint a picture of the dangerous situation in Nigeria at the time.